On the problems of translation in literary study Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the “Untranslatable”—the realm of those words that are continually retranslated, mistranslated, transferred fro...(展开全部)

On the problems of translation in literary study Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the “Untranslatable”—the realm of those words that are continually retranslated, mistranslated, transferred fro...(展开全部)

Often dismissed as the rumblings of "the street," popular politics is where political modernity is being formed today, according to Partha Chatterjee. The rise of mass politics all over the world in the twentieth century led to the development of new techniques of governing population groups. On the one hand, the idea of popular sovereignty has gained wide acceptance. On the ot...(展开全部)

帕沙·查特吉(Partha　Chtterjee)生于1947年，印度加尔各答社会科学研究中心(Center　for　Studiesin　Social　Sciences，Calcutta)主任，美国哥伦比亚大学人类学教授。印度“庶民研究”(又称为贱民研究或底层研究)学派的主将，对当代民族主义和殖民主义研究具有创造性的贡献，被誉为印度最重要的批判知识分子，是出生于亚洲同时被第三世界及英美主流学术界广泛认可的重要学者。

This is an exploration of the ambivalent relationship between revolutionary politics and modernist or avant-garde art. Williams clarifies many of the issues that have dogged recent critical discussion: the term “modernism” itself; the distinction between modernism and avant garde; and the possibility of a cultural theory “beyond the modern” which avoids the pitfalls of postmode...(展开全部)

In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way “with anachronism and anomaly” into his work, as was the case in the late work of Thomas Mann, Richard Strauss, Jean Gene...(展开全部)

In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists. Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He unco...(展开全部)

In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way “with anachronism and anomaly” into his work, as was the case in the late work of Thomas Mann, Richard Strauss, Jean Gene...(展开全部)

In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical acc...(展开全部)

Theorists of "secularization" for two centuries have been saying that religion must inevitably decline in the modern world. But much of the world today is as religious as ever. This volume challenges the belief that the modern world is increasingly secular, showing instead that modernization more often strengthens religion. Seven expert social observers examine several regions ...(展开全部)